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Monday, April 30, 2012

Back Home


Here we are back in the Northwest, where
Everyone’s too upbeat about the future and
So assured that it’s all gonna change.
Here in the Northwest, our consciousness like
The Pacific, crashing and swelling and cold
And never too far from the rocky shoreline.
Here we are back in the Northwest, with
The only predictable weather and the
Forecaster has it quite easy from winter to June.
Here in the Northwest, our hearts tied by
Computer wires, our minds by ideas and
Tall metal bridges grid-lined in the sky.
Here we are back in the Northwest, where
Sometimes I miss the deep South, a world
Where life is clear-cut and restrictive and safe.
Back in the deep South, the mentality’s old and
Well-tested, the art’s so alive and lives uncontested
And the store has 43 types of thin-sliced white bread.
Here we are back in the Northwest, where
Everything’s so young and recently destroyed,
And nothing lasts longer than a music movement.
Here in the Northwest, the clouds hanging like
Coffee smells in the morning, the days lagging
Like an empty Nirvana song.

XX---

People Change.

I can’t state what you say cuz I don’t know.
The only reason that you’ve given is that shrug and small denial,
That enigmatic smile,
That apologetic way in which you slowly lose your voice.
I can’t argue if you never argue back.
I can’t reason with your mindset since you only state the facts,
If your single contribution is the lack of our locution,
And that loyalty of yours that I can only barely track.
And I worry that… you’ll never be the same.
You know that this decision’s not the game you play with colored guns
It’s a reality that’s harsher than your glaring desert sun
And it will change the man you thought you’d be
And this life that you’ve begun
And she’s right, you know, that this will make you straight
And take if from me, straight’s not something you want to be
And I prefer you bent, we… both do.
You want respect, you’ll get incomprehension
You’ll get fear and quiet guilt and
Be ignore and acknowledged like you’re shifting dimensions,
And I, I am afraid that you won’t be the same.
People grow. People change.
But I want – at the very least –
I want your smile to remain.

XX---

Sunday, April 29, 2012

The Downside to Consorting with the Gods


Woulda done, shoulda done
Lizabeth had a son
Hair being chalky white,
Eyes being black.

Asked ‘bout the color she
Said with a blubber the
Father was Charon who
Pigment did lack.


X----

He Asks No More


He said I don’t feel my heartbeat anymore.
He said I used to have a rhythm, like a knocking at my door,
I used to feel like somebody who’d never lived before,
I used to feel my body track the beating at my core
He said I don’t feel my heartbeat anymore.

He said I’m not pulled to wander anymore.
He said I used to speed on highways just to hear the engine roar,
I used to let the windows down and wish that I could soar,
I used to drive through rainstorms just to watch the water pour
He said I’m not pulled to wander anymore.

He said I don’t dream of flying anymore.
He said I used to stretch my wings and glide over the sea and shore,
I used to swim among the coral on the ocean floor,
I used to dream a world with a thousand open doors,
He said I don’t dream of flying anymore.

He said I used to feel like living. But no more.


XXX--

I Don't Miss You

Poem will not be published due to ridiculously impossible-to-publish nature of poem.
And that's all I'm going to say about THAT.

the 110th floor

I stopped understanding war when it wasn’t about the bad guys and the good guys anymore.
I stopped understanding war years ago, when parents society-sophisticated tried to explain the smoke
And the one thousand back-flipping papers in the sky
And the dust storm running down New York streets:
Firefighters caught up, women in business skirts running and
The planes came from two different directions but
Somehow there were four of them?
I didn’t understand. I didn’t try very hard.

I stopped understanding war when I realized it wasn’t just this once.
When I realized that a war didn’t have a time period, only amplifications
That the towers in New York were really the towers in Khobar and
People screamed the same in Vietnam tunnels as Iwo Jima foxholes and
Your hands shook the same on the video camera in
Tiananmen square and the streets of Syria,
Which were really the streets of Nuremberg, the glass
Sparkling on the pavement like lost stars and
I didn’t understand. I tried to sort these wars into “just” and “un” but I failed.

I stopped understanding war long before I realized the internet understood it all.
Long before I knew that Wikipedia’s blued links could lead me from page to page and
I could spend all night reading about one “operation” after another, searching for
Something headed “The Answer” or “History’s Judgment” or “A Real Reason We Decided To Invade”
Long before I apple-tabbed al Jazeera every hour to check on six separate states of Spring and
Watched hours and hours of footage too raw to be distant in which the
Same floors buckled under the strain of fire to collapse one after another after another and
I had to turn off the sound.
I didn’t understand. I didn’t have the processing power of my little-screened laptop.

I stopped understanding war even after the explosion of its supposed solutions.
The man hiding in his supporter’s dirt floor, his picture on the front page, he didn’t look
Evil, he looked pitiable – he looked helpless – he looked afraid and
The white UN drones, their target compounds didn’t just hold dictators they held a family and
When desert-camouflaged troops crossed over that line for the (gods I hope) last time
It wasn’t a victory it was a breath finally let go and
It was the excuse we needed to forget four and a half thousand left behind and
One set of blood-stained pictures dropped into the ocean after them and still
I don’t understand. I’ve discovered the end of a code-name isn’t the end of a war, only an era.

I’ve stopped understanding war and, honestly, I hardly try anymore. But goddammit I remember.
I can’t tell you if tanks in Kuwait were reasonable, or Cold War funding for Afghan rebels,
And I can’t tell you what it feels like to be hit with a water canon or lead bullets or the loss of a father
But I remember that someone does. I don’t forget that someone stood in a Palestinian camp and lived and
Someone stood on the 110th floor and didn’t, and I don’t forget that
Someone is responsible. That sometimes that person is the UN’s most wanted
And sometimes he is the decorated war general and the foreign affairs official but I don’t forget that
Sometimes that person is me and even though I –
I don’t always understand, I remember that the violence doesn’t leave when it passes over my head
It isn’t gone when it leaves the television screen and the laptop screen and the public scene, even if it
Is sometimes impossible to understand, it is War and
It remains.


XXXXX

Thursday, April 26, 2012

quindesce

One of my favorite things to write during NaPoWriMo, today's (third) poem is actually a pwoermd - a one-word poem.
This one is created with the words "quintessence" and "evanesce" as its roots, but with a meaning slightly different from either.
Some other pwoermds I created tonight (they're lots of fun) that weren't chosen in the final cut are included below.


ineffvanesable

windter

sexpectant

evangeliscence


XXX--

Letter-Stall


I met her –
Slate-hair, slim-breath, lost-halo her –
As a last-seat rambler.
She heart-stole me.
She is a rebel, her –
Rose-heart, storm-blest, star-tooth her –
Tall tales stole me.
She rises; she –
Loose-limb, lazy-hair, heart-rest she –
Is more lost,
Here is mere me, sole, me.
I’ll miss her –
Mast-raise, sail-raise, heart-raise her –
‘Till she sails home to this shore,
To me, lost at this shoal; me.
She is small, her –
Maze-lost, mail-heart, sheer-tore her –
Bless is a loss, a hole, to me.
To me, home is her –
Tame-bear, time-raze, to-amaze, lite-beam, sole-heart her –
Am I lost? At a loss? Is this role me?
Oh I, I blame her.

I swear I haven't totally lost my mind with this poem - it's called a "Beautiful Inlaw", and it's a form where the only letters you're allowed to use are those of a name. I used the full name of a good friend of mine; this poem is about her.

X----

Reasons


It was
Eighty degrees and
Sunny today,
I
Stayed inside
Due to a
Compilation of
Factors, including
The humidity
And ticks
And wi-fi connections –
I
Opened the window
To find
The wind was
Blowing pleasantly;
I
Stayed inside
Due to some
Complex considerations,
Including
My grandfather
The dog
And
Neighbors –
My
Lined paper
Remained
Blank in
The second half of
Everything,
From
Lunch on it sat
Waiting
And empty
With the pencil sitting
Right by,
It
Didn’t do anything
Because I
Didn’t go out,
Due to
A lot of stuff
I
Had
Going on, including
History homework
MacBook keys
And a couch –
The air was
Heavy with
Thunderstorm
Weather, and
The clouds were
Building
Up
In that
Thick
Sky I
Love
But I didn’t
Go outside
Because of
Some multi-faceted
Reasons
You might not understand,
Including
Apathy
The suspension of time
And ticks.


XX---

Tuesday, April 24, 2012

COUNT


Fibonacci
Numbers
Always seemed
So damn perfect.
They are so starkly irregular,
So dependably irrational in their quest for infinity.
If phi is my favorite number, if a spiral is my favorite shape,
Is it possible that my thoughts are spelled out in long and complex, curving sequences of one, one, two, three, five?
Is it possible that my path in life will be a line twisting at one hundred and thirty-seven point five degrees, brushing the golden edges of ever widening rectangles as they expand into space?
Or is my obsession with patterns only the symptom of a mind too number based to accept the unpredictability of reality?
Should I stop counting clouds because I know they’ll never form cohesive sequences?
Maybe life’s meant to be qualified, not quantified.
Still, my head wonders: Is
The world logarithmic,
Or is
It
Binary?


XXX--